BRILLIANTISM: September 2008

9.30.2008

SOULJA BOY

I sent this letter to the Barack Obama campaign today and I'd encourage you to do the same if you feel the same. Contact the campaign HERE.



To Senator Obama, his staff, and advisers:

I have a serious suggestion for your already-impressive campaign: speak directly to the country via YouTube... every day.

In these dire, frustrating, dishonest times, addressing the nation via YouTube would have the effect of a modern-day "fireside chat." YouTube could do for you what the radio did for Roosevelt: it would give you a direct line to the public. It would, for many, provide a powerful taste of leadership that would likely be amplified by our country's otherwise lack-there-of.

More importantly, a minute of your time daily could suffuse the personal, human flourish that the American political landscape sorely lacks.

The topics needn't be political or combative (although many of your policies and ideas would encapsulate well). Just be honest. If you're tired, say you're tired. Do you know any good jokes? What sort of music do you listen to on the campaign trail? How are you?

I'd be fascinated to hear your thoughts on just about anything, especially the many parts of the country you travel to, the foods and traditions and people and things you encounter. You have a unique and incredible perspective that you cannot do too much to reinforce.

Also, daily YouTube content would allow you to stare directly into the eyes of a future generation, the same generation mobilized (and unified) by YouTube-centric pop artists like Lil Wayne, Lil Mama, and Soulja Boy. These young stars forged identities (and captured the attention of millions of young fans with powerful voices) by posting endless videos to YouTube. Usually, they just said hi or thanked their fans for appreciating their music.

I know the election eclipses something as trivial as first week sales, but you can't deny the power of a young American feeling like he or she is being understood and identified with. When you watch videos of the aforementioned rappers, you can feel them leveling with you, you can feel them ignoring bureaucracy, making their own way, and bucking the conventions ingrained by their industry. They only hope you'll hear what they have to say. In a 2.0 world, YouTube is the ultimate way to say "I am like you, and you are like me, and we ARE important!"

You have an official account and, besides, you already live in the eye of the lens. I think about this every day. This will tip the campaign. This will surge awareness of your style and sensibilities. This will allow the youth to decide their future and prevent embedded views of older generations from controlling expectations and results.

I'm encouraging my friends and family to send similar messages to your campaign. I apologize for any repetition your campaign might see in its busy inbox. But: where you clearly feel passionate about change, progress, and the well-being of our country, I feel passionate about you telling me (and millions of others) about change, progress, and the well-being of our country via YouTube. Daily.

Best to you and yours,
Aaron Davidson
San Francisco


P.S. Thank you.



Again, if you dig this idea, please contact the campaign HERE.

9.26.2008

TV ON THE RADIO

I had a great weekend at the Treasure Island Music Festival. After struggling with summarizing it, I decided that mocking-up an AIM-style chat session with my alter-ego would be the best way to portray what happened.



BrilliantMP3s: Jack fricken' White!

TheFierceFace: Indeed.

BRLMP3S: That guy is the controller. He looks so famous.

FACE: More things look famous from side-stage, my man. You’ll learn that.

BRLMP3S: Justice looked pretty famous from the crowd of 12,000 people, who all seemed to be wigging out.

FACE: Did they chop up “Master Of Puppets” as part of their encore?

BRLMP3S: Indeed.

FACE: I love that.

BRLMP3S: It was magical. I wasn’t sure what it would be like to watch two guys press play on well-hidden laptops, but they had it figured out. They lorded over the crowd. Those two know how to make an island sound great.

FACE: A beautiful island, that.

BRLMP3S: So true. TV On The Radio were another favorite, and not just because they played in the best slot at any festival: as the sun was dipping below the Golden Gate. They were also extremely raw.

FACE: So it was light when they began, and dark when they finished?

BRLMP3S: Correct.

FACE: Culminating in darkness, I like that. It sounds like something you’d name a song ten years ago.

BRLMP3S: Ha ha.

FACE: How was Goldfrapp?

BRLMP3S: Terrible! The VIP was contractually empty.

FACE: Wha-a-a-a-a-t?

BRLMP3S: I guess no one in her band actually plays instruments live, it’s all a recording. They didn’t want anyone standing close enough to see, I guess.

FACE: And it was still that bad?

BRLMP3S: It was egregious, man! I was told to keep that on the down-low, FYI.

FACE: Better not blog that, then.

BRLMP3S: Good call.

9.17.2008

JACK'S MANNEQUIN

That didn't really work.


I keep a playlist of songs called "Brilliant Year" on my work computer. Not a great list-title, since I've only been cramming this machine with gigs-of-music since April. Nonetheless, I recently realized that I'd hit the 30 song mark with this gem from the new Jack's Mannequin record. It's a good record from a dude whose pop band I ignored. The production is tight, the songs are eventful and the lyrics pierce through the surface. Worth finding.



9.15.2008

THE FIERCE FACE

Thanks to James Provenza for the 'fro of wildlife.



“I can’t believe you actually did this."
-Evan Michalski

I spent about 11 months, from conception to execution creating the ‘Tape. I began by hacking up my favorite tracks in Cubase in an effort to learn something about the recording software taking up space on my computer. Eventually I sutured 26 songs together into a 35 minute instrumental mix. In the last month I wrote lyrics, mutilated melodies, and excavated all manner of unused weird monologues, limericks, and other writings from my various hard drives. The result is this tape, called The Fierce Face Concerns Himself With Isolating The Cause, certainly the strangest and most-fun thing I’ve ever created.

Features music and samples from Radiohead, Phoenix, Chromeo, Gwen Stefani, The RZA, Calvin Harris, Kings Of Convenience remixed by Royksopp, The Books, Cee-Lo, Hot Chip remixed by Fred Falke, Erlend Oye featuring Soviet, Why?, Angelo Badalamente, Aloha, Perfect Piano Lesson, Tera Melos, E*Vax from Ratatat, Subtle, Antonia Pinto and Ed Cortes from The City Of God OST, Cornelius, Mouse On Mars, Sparklehorse, Pantha Du Prince, and E-Rock.

With melodic and thematic references to Justin Timberlake, Neil Young, Christina Aguilera, Weezer, Shontelle Layne, Santogold, The Mars Volta, ATDI, Bjork, Mew, Mister Metaphor, Paper Rad, Hello Goodbye, Feist, Brilliant Red Lights, Lil Wayne, Andre Benjamin, Back To The Future, Stone Temple Pilots, Hot Chip, TV On The Radio, Gnarls Barkley, Gold Chains, more Phoenix, Marvin Gaye, Good Will, PF Flyers, cool tee shirts, Kanye West and, I guess, Jamie Foxx. Oh, and most definitely R. Kelly!

Shout out to James Provenza for the “cover art” portrait of me with ‘fro of wild animals. Please contact him at jamesprovenza@gmail.com if you need any quality design work!

Read lyrics and info about individual songs here. Download below or at www.brilliantredlights.com. Thanks for listening!


CLICK HERE TO DOWNLOAD the Mixtape.